JAAP BLONK Feb 17 2019
Poetry/Performance by Jaap Blonk
7pm Sun Feb 17 at Exploded View Microcinema, 197 E. Toole, Tucson
In the late 1970s he took up saxophone and started to compose music. A few years later he discovered his potential as a vocal performer, at first in reciting poetry and later on in improvisations and his own compositions. For almost two decades the voice was his main means for the discovery and development of new sounds.
From around the year 2000 on Blonk started work with electronics, at first using samples of his own voice, then extending the field to include pure sound synthesis as well.
He took a year off of performing in 2006. As a result, his renewed interest in mathematics made him start a research of the possibilities of algorithmic composition for the creation of music, visual work and poetry.As a vocalist, Jaap Blonk is unique for his powerful stage presence and almost childlike freedom in improvisation, combined with a keen grasp of structure. He has performed around the world, on all continents. With the use of live electronics the scope and range of his concerts has acquired a considerable extension.
Besides working as a soloist, he collaborated with many musicians and ensembles in the field of contemporary and improvised music, like Maja Ratkje, Mats Gustafsson, Joan La Barbara, The Ex, the Netherlands Wind Ensemble and the Ebony Band. He premiered several compositions by the German composer Carola Bauckholt, including a piece for voice and orchestra. A solo voice piece was commissioned by the Donaueschinger Musiktage. On several occasions he collaborated with visual computer artist Golan Levin, for the Ars Electronica Festival.
Blonk's work for radio and television includes several commissioned radio plays. He also makes larger-scale drawings of his scores, as well as visual poetry, which is being exhibited.
He has his own record label, Kontrans, featuring a total of 25 releases so far. Other Blonk recordings appeared on various labels, such as Staalplaat, Basta, VICTO, Ecstatic Peace, Monotype Records, Terp and Elegua Records. His book/CD 'Traces of Speech' was published in 2012 by Hybriden-Verlag, Berlin. Forthcoming is a sequel with the title "Traces of Cookery." A comprehensive collection of his sound poetry came out as a book with 2 CDs in 2013, entitled "KLINKT".
STEVE MCCAFFERY / KAREN MAC CORMACK Mar 9 2019
Poetry Reading at 7pm, March 9 2019 at
The Steinfeld Warehouse
101 W 6th St
Poet Steve McCaffery was born in Sheffield, England, and earned a BA in English and philosophy from Hull University (England), an MA from York University (Toronto), and a PhD from the program in poetics, English, and comparative literature at SUNY Buffalo.
A critic, poet, and professor, McCaffery was part of the Canadian avant-garde poetry scene in the 1970s. His creative work has been marked by innovation and a move away from conventionally narrative forms. His oeuvre includes sound poetry (as part of the collaborative group the Four Horsemen with poets Rafael Barreto-Rivera, Paul Dutton, and bpNichol) and concrete poetry. His visual poetry is in permanent collections at the National Gallery of Canada in Ottawa, the Paul Getty Research Institute in Malibu, the International Concrete Poetry Archive in Oxford, England, and the New York Public Library in New York City.
McCaffery’s poetry publications include a number of chapbooks and full-length collections, among them Modern Reading: Poems 1969–1990 (1991), Seven Pages Missing: Selected Texts Volume One (2001) and Volume Two (2002), and Verse and Worse: Selected and New Poems of Steve McCaffery 1989–2009 (2010). He has twice received the Gertrude Stein Award for Innovative North American Poetry.
McCaffrey and bpNichol edited Sound Poetry: A Catalogue (1978) and Rational Geomancy: The Kids of the Book-Machine: The Collected Research Reports of the Toronto Research Group 1973-1982 (1992), a manifesto and sampling of Canadian arts and writing. His published scholarly works include Imagining Language with Jed Rasula (1998), North of Intention: Critical Writings 1973–1986 (1986), and Prior to Meaning: The Protosemantic and Poetics (2001).
McCaffery is a professor in the Poetics Program at SUNY Buffalo. (Bio from the Poetry Foundation)
KAREN MAC CORMACK
Karen Mac Cormack is the author of more than a dozen books of poetry, including Vanity Release, Quirks & Quillets, Marine Snow, and The Tongue Moves Talk. Her trans-historic polybiographical work Implexures (Volume 1) was co-published by Chax Press (USA) and West House Books (UK) in October 2003.
Her work has appeared in such anthologies as The Art of Practice: Forty-five Contemporary Poets, Out of Everywhere: Linguistically Innovative Poetry by Women in North America and the UK, and Moving: Three Decades of Innovative Writing by Women. Born in Zambia, she is based in Toronto.
“Karen Mac Cormack writes a play of voices and the voicing of places as they combine. The combination is one where what would otherwise be merely singular begins to overlap. Citation, statement and creation–a multiplicity of moments that are only present as a weave–work together to narrate. The reader is implicated from the start. However, there is no single place that calls. Voices continue to speak. Identities however–the names and voices–can only ever be glanced at. And yet, the writing suggests. Humor and a complex sense of pathos work together. The writing entices. As would be expected Karen Mac Cormack has written an important book. Its presence connects the pleasure that reading affords with the critical reflection that writing demands” – Andrew Benjamin
UPCOMING Spring 2019
Readings & Round Tables & POG Celebrations.
Visiting Artists in the remainder of Spring 2019 include Karen Mac Cormack, Steve McCaffery, Laura Hinton, Karen Brennan, Cynthia Hogue,
Stay Tuned to This Space for further information about readings and events March through May 2019.
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